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When asked how he came to create his David, Michelangelo supposedly said, “I saw the angel in the marble and carved until I set him free.” Walking around the car, it’s clear Rolls-Royce’s design team has similarly pared away excess to create a lighter, more ethereal aesthetic for the Ghost both inside and out. The absence of shut lines, those divisions between body panels, allows the eye to sweep uninterrupted across the hand-welded superstructure, which flows like an elongated water drop in silhouette, and the visual continuity is maintained from the driver’s seat: Since the grille is now inset, the view across the hood remains unbroken save for the Spirit of Ecstasy ornament rising from the prow.
A view of the vehicle’s roomy back seat.
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