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I am about to tell you about the Rolls-Royce Phantom garnished with decorative pieces by Mansory and then jeweled by an effortless push of 602 thoroughbreds. It is Mansory’s way of going above and beyond. Above and beyond anything one may consider customary, appropriate, or even becoming. It is as bizarre as Halloween cosplay and as exquisite as a ball gown. It is controversy in understanding, and harmony in dissonance. It is the Rolls-Royce Phantom by Mansory.
I would argue that gliding through the atmosphere, carried by a swoosh of hot air, is as close to freedom as one may get. Such a dignified spectacle can be almost recreated on the roads as well. Riding in the back seats of the Rolls-Royce Phantom is more comfortable for sure, but the sheer exquisiteness of its cabin pursued by a definite insulation from the outside world is as equally liberating as gliding, although fundamentally opposite in its execution. That is what Rolls-Royce is all about – being as free as a bird, but in a way, some may even call profligacy.
The Rolls-Royce Phantom by Masonry is profligate and lecherous. But it is impeccable and irresistible much the same.
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